I recently revisited David Fincher’s masterful and underrated Zodiac (2007) after reading this article by Scott Tobias of The AV Club.
http://www.avclub.com/articles/zodiac,59576/
Though not for the faint of heart, this film, which traces the history of the still-unsolved “Zodiac” murders that occurred in California in the 1960s and 1970s, certainly presents information literacy in a unique and sinister light. As Tobias points out, “Zodiac is a movie awash in information: dates, crimes, locations, suspects, evidence, meaningful connections and red herrings, breakthroughs and setbacks.” When I read that sentence, my “cinema + information literacy” meter started to buzz, and I knew I had to watch the movie again.
Zodiac reminds me of Oliver Stone’s JFK (1991), in that both films traffic in the unsettling ambiguities of history. There’s no shortage of information, yet convincing answers remain elusive. In Zodiac, Robert Graysmith (Jake Gyllenhaal) searches relentlessly for the identity of the killer, following every lead and obsessing over every detail. Eventually, he seems to find the answer in his own mind, but the film itself (like the actual “Zodiac” case) remains ambiguous: an unsolvable information problem.
Perhaps what has me most interested in the film is the manner in which the pursuit of information/evidence about the killings becomes a disturbing and dangerous addiction for Graysmith and some of the other characters. The ACRL Information Literacy Competency Standards suggest that information literacy “enables learners to master content and extend their investigations, become more self-directed, and assume greater control over their own learning.” However, information literacy practices in Zodiac lead primarily to confusion and powerlessness.
Graysmith, Paul Avery (Robert Downey Jr.), and David Toschi (Mark Ruffalo) become increasingly isolated from friends, family, and co-workers; they are unable to live a normal life, contaminated by what I’m tempted to call information sickness. This is the practice of information literacy as futile obsession, as characters become lost in, to borrow another phrase from the ACRL Standards, “the uncertain quality and expanding quantity of information.” Given Zodiac’s subject matter—murder, fear, paranoia—the lack of certainty is chilling. The characters are no longer self-directed; rather, the information directs them into a kind of bleak ambiguity. Okay, so it’s not exactly a cheery film.
In any case, I could certainly imagine this being a good choice for a semester-long information literacy course, especially in terms of discussing the complexities or limits of information literacy, as well as the anxieties of information seeking.